This is a quiet book. Toibin slowly creates a character that evolves, despairs, contemplates the meaning of life, and then ultimately blooms. But not without anguish and self examination. Nora's husband dies when she is only 40 and leaves her with little money, four children and a sense that the world she thought would always shelter her is in fact harsh and bleak. She must regroup, restore her children's faith — and her own — in the possibility of normalcy that only comes a glimpse at a time. Beautifully written, a joy to read and savor.— GAYLE'S STAFF PICKS
October 2014 Indie Next List
“This quiet but beautifully constructed novel of grief is the tale of an Irish woman caught between looking after her own emotional well-being and that of her four young children in the wake of her husband's death. Her relatives and community mean well, but they trespass almost as often as they support. Like Nora's own missteps, those of outsiders are also forgivable. Toibin's work gets deeper and richer with each new book. I'm already looking forward to his next.”
— Susan Scott, The Secret Garden, Seattle, WA
From one of contemporary literature's bestselling, critically acclaimed, and beloved authors: a "luminous" novel (Jennifer Egan, The New York Times Book Review) about a fiercely compelling young widow navigating grief, fear, and longing, and finding her own voice--"heartrendingly transcendant" (The New York Times, Janet Maslin). Set in Wexford, Ireland, Colm T ib n's magnificent seventh novel introduces the formidable, memorable, and deeply moving Nora Webster. Widowed at forty, with four children and not enough money, Nora has lost the love of her life, Maurice, the man who rescued her from the stifling world to which she was born. And now she fears she may be sucked back into it. Wounded, selfish, strong-willed, clinging to secrecy in a tiny community where everyone knows your business, Nora is drowning in her own sorrow and blind to the suffering of her young sons, who have lost their father. Yet she has moments of stunning insight and empathy, and when she begins to sing again, after decades, she finds solace, engagement, a haven--herself. Nora Webster "may actually be a perfect work of fiction" (Los Angeles Times), by a "beautiful and daring" writer (The New York Times Book Review) at the zenith of his career, able to "sneak up on readers and capture their imaginations" (USA TODAY). "Miraculous...T ib n portrays Nora with tremendous sympathy and understanding" (Ron Charles, The Washington Post).