Very rarely can I say that an artist's death affects me in any real way, but Vic Chestnutt's 2009 suicide was a legitimate bummer. A long career that ended on the verge of very quiet success, the Athens singer songwriter risked becoming a mere memory of minor notoriety. Luckily fellow friend and musician Kristin Hersh has gifted us with a very personal memoir of her often stressed friendship with the brilliantly sincere songwriter and lifelong receiver of the raw deal. Vic Chesnutt was a painfully authentic artist and one of the most influential songwriters that most people have never heard of.— Kyle
October 2015 Indie Next List
“You don't need to be familiar with Chesnutt's or Hersh's work to appreciate this phenomenal book, but you will undoubtedly want to be once you've finished it. Hersh is a writer of intense and subtle beauty, and she will make you cry and feel a hundred other things with the power of her style alone. Through the tragic story of her close friend and tourmate, Chesnutt, Hersh evokes the torture of all that artistic genius encapsulates and makes that pain sing in a voice both opaque and elegant, grimy and pristine. Ultimately, this is a deeply affecting meditation on one's thrust toward 'important art' and on how music is a necessary expression of sadness and loneliness but also one of intense and inimitable beauty.”
— Donovan Swift (W), Inkwood Books, Tampa, FL
“Friend, asshole, angel, mutant,” singer-songwriter Vic Chesnutt “came along and made us gross and broken people seem . . . I dunno, cooler, I guess.” A quadriplegic who could play only simple chords on his guitar, Chesnutt recorded seventeen critically acclaimed albums before his death in 2009, including About to Choke, North Star Deserter, and At the Cut. In 2006, NPR placed him in the top five of the ten best living songwriters, along with Bob Dylan, Tom Waits, Paul McCartney, and Bruce Springsteen. Chesnutt’s songs have also been covered by many prominent artists, including Madonna, the Smashing Pumpkins, R.E.M., Sparklehorse, Fugazi, and Neutral Milk Hotel.
Kristin Hersh toured with Chesnutt for nearly a decade and they became close friends, bonding over a love of songwriting and mutual struggles with mental health. In Don’t Suck, Don’t Die, she describes many seemingly small moments they shared, their free-ranging conversations, and his tragic death. More memoir than biography, Hersh’s book plumbs the sources of Chesnutt’s pain and creativity more deeply than any conventional account of his life and recordings ever could. Chesnutt was difficult to understand and frequently difficult to be with, but, as Hersh reveals him, he was also wickedly funny and painfully perceptive. This intimate memoir is essential reading for anyone interested in the music or the artist.
About the Author
Kristin Hersh is a founding member of the bands Throwing Muses and 50 Foot Wave. Her memoir Rat Girl was widely praised by publications from the New York Times to Rolling Stone, which named it one of the top ten best rock memoirs ever written.
Amanda Petrusich is the author of several books about music, including Do Not Sell At Any Price: The Wild, Obsessive Hunt for the World’s Rarest 78 rpm Records. Her criticism and reporting has appeared in the New York Times, the New York Times Magazine, Pitchfork, Spin, BuzzFeed, and the Oxford American, where she is a contributing editor. She teaches music writing at New York University.